Minutes into the opening of Tenet, you get a small sense of adrenaline. You’re strapped in for another Christopher Nolan thrill ride full of twists, turns, and spectacle. And for many moviegoers (myself included), it’s the first movie you’ll have seen in a theater in months due to the ongoing pandemic. While the excitement of watching another movie from Nolan accompanied by your return to the theater begins to settle in, so does confusion to a varying degree. In terms of story, Tenet is Nolan’s most inspiring movie to date; it’s easy to view this movie as the filmmaker’s attempt at making a James Bond movie (he’s always wanted to make a Bond movie). But with that comes the see-saw battle of being able to fully comprehend everything that’s happening. But even though Tenet can be dizzying at times, it’s still another exciting blockbuster from Nolan.
A24 has gained a solid reputation for distributing unique arthouse horror films, from the psychological drama It Comes At Night and Krisha from Trey Edward Shults and Ari Aster’s two features Hereditary and Midsommar to Robert Eggers’s 2015 Sundance smash, The Witch. This weekend brings their release of Eggers’ followup feature, The Lighthouse, which delivers in every facet of its status as an excellent exercise in arthouse genre film, from its haunting, surreal imagery and black-and-white cinematography to stellar performances from Robert Pattinson and Willem Dafoe, and open-ended ideas about masculinity and companionship. Read more
The late 2000s saw a flux of pop culture teen romance movies. Audiences were lining up for see the latest in the Harry Potter or Twilight franchise. In the years since, the stars have used their fame to invest in indie arthouse films. Daniel Radcliffe broke into the Indie scene with films like Horns and the delightful Swiss Army Man.
Kristen Stewart got recently collaborated with director Olivier Assayas for the films Clouds of Sils Maria and Personal Shopper.
Now Robert Pattinson is taking his turn with the film Good Time. Read more
Making a period piece in this day and age is very challenging, and in most cases they’re hit or miss. They can either be way too long, have a load of pacing issues, or poorly directed and acted. The Lost City of Z is the opposite of all those things. From the directing to the fantastic screenplay, The Lost City of Z fires on all cylinders. For it being a true story as well, it gets most of the facts straight and tells a story of explorer Percy Fawcett that most people haven’t even heard of. Everyone should know his story. Read more