Even without the title of this review, I probably don’t have to spew more than a few words into this piece before you, the reader, will know that The Mitchells vs.The Machines is another good animated movie from Phil Lord and Christopher Miller. I mean, seriously. Anytime Lord and Miller have explored animated movies, they’ve struck gold. Cloudy with a Chance of Meatballs, The LEGO Movie, and Spider-Man: Into the Spider-Verse—all three of these are delightful in their own ways and are arguably some of the best animated movies from the past 15 years, so I had little fear their new feature debuting on Netflix tomorrow would disappoint. It didn’t and the results deliver an intelligent, often hilarious, animated movie that is both relevant and telling when it comes to how most people have become more than dependent on technology these days.
If there’s one area that Netflix has shifted a bit of its focus to for original content in recent years, it’s the animation department. While some of their animated shows have been great, none of their animated movies has been knock-out-of-the-park material or memorable (if memory serves right) for this critic. And while I liked Netflix’s Over the Moon, released last year (and is now nominated for Best Animated Film at the upcoming Oscars), I wasn’t over the moon (insert chuckle here) about it. However, Netflix has a gem with Arlo the Alligator Boy, which drops on Netflix tomorrow. This sweet, wonderful 2D animated tale is a must-see for families and animated film lovers alike. Filled with great original songs and a message that should resonate with all, Arlo the Alligator Boy is an animated musical we’ll be talking about for the rest of the year.
It’s hard not to wonder what will happen to any of the kids who star in Stranger Things, Netflix’s most popular original show of all-time, once the series concludes. We already know that Millie Bobby Brown is on her way there, having starred in some higher profile movies since audiences got to know her as Eleven. And while I don’t doubt that she might go on to have a successful film career, I do think Caleb McLaughlin is starting to make a case for how good an actor he could be in the future with Netflix’s Concrete Cowboy. Nowhere is the boy wonder charm we see him as Lucas in Stranger Things. With Concrete Cowboy, comes a mature McLaughlin, who helps steer things in this mostly engaging drama about urban cowboys in Philadelphia. Read more
I’ll be honest: faith-based movies usually fall at the bottom of the totem pole or desire for me to watch. It’s only because these faith-based movies are typically low on production values coupled with very, very bad acting. And I get it: most faith-based movies rely on low budgets to be successful (like most horror movies) these days. But they’re never my cup of tea. However, Netflix has invested seemingly more money in A Week Away than any faith-based movie I can recall in some time. The results? Well, story-wise, it’s predictable with a High School Musical spinoff vibe where religion plays a role. However, some of the musical numbers shown are entertaining and show how talented some of the young cast members are, which bodes well for their futures.
If you had guessed that a grainy black and white film with a scene involving macaroni and cheese would eventually sell for $30 million during the middle of a pandemic, please reach out to me to collect your prize. Conceived and shot during the middle of the pandemic, Malcom & Marie is another drama you can file under “a story that entirely takes place in one setting with no more than two actors that appear on screen.” Approved by multiple organizations that greenlight the shooting of films, the production was scaled back in order to follow COVID-19 protocols. While the production itself may be more fascinating than the film itself when it’s all said and done, Malcolm & Marie is still a drama worth sitting through. Sure, it may not be the awards contender Netflix was hoping it would be, but it’s still a fine film with two great performances from two actors who are currently on hot trails in Hollywood.
Spooky season is officially here. And no, we’re not talking about the upcoming election, which is less than a month away now. It’s October, officially fall, and we have chilly weather. And with all those things coming together, chilling tales about things that go bump in the night also have arrived. While the well for new horror content is a little shallow this year due to the ongoing pandemic, The Haunting of Bly Manor, Mike Flanagan’s follow-up series to The Haunting of Hill House, was able to finish production just before the onset of the pandemic. Read more
Netflix has had numerous hits and misses over the years when it comes to their original content. They can sweep the nation with a show like Stranger Things, and they can misfire with a show such as Fuller House. With Space Force, fans and critics thought we were getting a show similar to The Office. Maybe not filmed the same way, but similar in the sense of following a guy who is under qualified for a position who makes silly, humorous mistakes along the way. It actually isn’t a show like that at all. That doesn’t necessarily make it bad, but there is a lot of room for improvement. Read more
These past few weeks certainly have been challenging, stressful, and, well pick your synonym, for most people around the world. So much uncertainty and despair has left many of us isolated at home instead of being out socially, going to the movies among other things. With movie theaters closed until the curve is flattened on the current pandemic, millions, like myself, are left with streaming as the only way to watch new movies in place of our theatrical experiences at our local multiplexes. Thankfully, Netflix is still rolling out new content on a daily basis, including original movies like Uncorked, which drops today. From director Prentice Penny, this dramadey about wine and family is just what the doctor ordered during these uncertain times.
On this week’s edition of ‘The Best Acting I’ve Ever Seen‘ – let’s talk about Netflix’s THE PUNISHER series, starring Jon Bernthal. Read more
2019 was a good year at the movies. Sure, 2019 brought us a handful of movies that I’ll surely revisit in the near future, but I honestly feel like it was a letdown year. But still, there were some great movies that came out in 2019. We experienced movies that acted like love letters to Hollywood. We experienced movies from a streaming service that turned in arguably more quality movies than any movie studio (their quantity also outweighed everyone else). We experienced movies that made Film Twitter mad. And finally, we experienced more movies that created all sorts of emotions, which continued to help us, the moviegoers, escape reality. These experiences are a part of why we love movies so much, and that is why we should always talk about the best of the best every year. Talk about the ones that deserve the attention. Ones that you may have not heard about that absolutely deserve your time (and money).
We all look for love in all the wrong places, right? For Joe Goldberg, he takes things to the next level when he finds love. Season 1 of You showed us that. And boy, was it shocking addicting. When season 2 was announced, it was easy to be excited considering that the finale of season one ended with a cliffhanger. This time, it is a full Netlfix production (season one was originally a Lifetime production), and there are some noticeable differences, but fear not, they’re mostly good. More on that later. For now, let’s dive into what makes season two great.Read more
Following a string of box office bombs, Eddie Murphy has mostly been absent from the silver screen, with his last two starring feature films being the mediocre comedies Mr. Church and A Thousand Words. However, this weekend, he returns to cinema with a powerhouse comeback performance and a strong hand in producing Dolemite Is My Name, a biopic about “The Godfather of Rap” Rudy Ray Moore’s rise to stardom upon the creation of the blaxploitation icon Dolemite, and it stands as one of the best movies of the year thanks to strong performances from its ensemble cast, a sharp script rife with hilarious dialogue as well as intimate character moments, and a soundtrack authentic to the funky sounds of the 1970s. Read more
We are halfway into 2019 and we’ve already been spoiled by some of the most groundbreaking, divisive and utterly brilliant television series, including Game of Thrones, Deadly Class, Too Old To Die Young and Doom Patrol. Check out my top 10 TV shows of 2019 – SO FAR. Read more