Ten years and 18 movies later have led to Avengers: Infinity War, the movie that changes everything in the Marvel Cinematic Universe (MCU). And with Thanos, the evil-lurking presence teased over the years in various MCU films, finally coming out from the shadows, the significant ramifications viewers will witness at the hands of the intergalactic despot in Infinity War are sure to cause a stir of emotion with fans who have followed these superheroes over the last decade. When you bring together the original Avengers mixed with new Avengers (Black Panther, Doctor Strange, Spider-Man) and the Guardians of the Galaxy to take down the biggest threat the universe has ever seen, on paper, it might feel a little overwhelming to pack this many superheroes into one two and a half hour movie. However, with the Russo Brothers, the directing duo behind the two best movies in the MCU (Captain America: The Winter Soldier and Captain America: Civil War), overseeing the biggest ever ensemble of superheroes assembled on screen, rest assured they manage to give balance to all these characters we have come to know for the entire duration of Infinity War. The result is equally thrilling, captivating, emotional, and, not so shockingly, epic all at once.
One could make the argument that Blumhouse is the hottest production company in Hollywood these days. Coming closely on the heels of three huge hits including Split, Get Out, and Happy Death Day, Blumhouse certainly has struck chord with audiences seeking mayhem and horror over the last year. And later this year, they plan to release a sequel to Halloween, which is one of the most beloved horror franchises of all time. All of that being said, however, production companies are not perfect and are expected to have blunders: Case in point with Truth or Dare, the latest horror movie from Blumhouse. Unfortunately, Truth or Dare is one of the company’s most forgettable titles to date and fumbles a great concept, and the result in a silly, PG-13 rated melodrama horror audiences are likely to forget within hours of seeing it.
No one in Hollywood has crafted more memorable blockbusters than Steven Spielberg, the most famous director the world has ever seen. And while Spielberg has strayed from the familiar path in recent years and focused more so on dramas, Ready Player One is right in his wheelhouse. Ready Player One’s storytelling and character development do not reach levels high enough for those looking for some kind of depth in this 140-minute virtual reality journey. But when it comes to the movie’s action sequences and visual effects, Spielberg delivers to the max in spectacular fashion, which should please both regular movie goers and fans of 80s pop culture familiar with characters from movies, television, and video games over the years. Of course, Ready Player One plays out just like a video game, but that’s what makes it such an entertaining blockbuster and more of what we have come to love about Spielberg in years past; he transports audiences to new, exciting worlds we’d love to be part of. And with this ridiculous, filled-to-the-brim nostalgic blast, he’s done it again.
When you buy a ticket for The Commuter, you know exactly what you’re paying for. You’re paying not just for an action movie, but a Liam Neeson action movie. You’re paying for a movie released during one of the slowest months of the year during one of the coldest months of the year. Yes, you’ve probably seen half a dozen iterations of The Commuter before, but with different settings, scenarios, and action sequences. That being said, the B-action movie is a quintessential genre for certain movie goers, and The Commuter easily fits into that niche for that particular audience. Sure, you might forget about The Commuter two months from now, but it’s still a fun time to be had if you’re looking for something new at the theater and something that’s not an awards contender (which is when a number of awards-contending movies start rolling out nationwide).
After seeing Star Wars: The Last Jedi, I’m not surprised Lucasfilm is giving director Rian Johnson the keys to a new Star Wars trilogy after Episode XI; in fact, Rian Johnson’s now further involvement has me actually excited for the next Star Wars trilogy (and I’m not even a Star Wars fan). While The Last Jedi is a Star Wars movie, it also at times feels unlike any other Star Wars movie you’ve seen before. With that said, however, The Last Jedi is still a Star Wars movie through and through, and is filled with crowd-pleasing moments that should delight fans of the franchise. From the story and its gratifying twists and turns, to character developments for both new and old characters in the saga, to the movie’s dazzling action and visual effects, The Last Jedi is everything you could hope for in a grade-A blockbuster, and is easily one of the absolute best Star Wars movies in the franchise.
Heroes come from all sorts of places and some of them come from the field of journalism, where reporters and various employees at media outlets seek to bring the truth to light and give their audiences the information they need. And given the current state of the country, we could certainly benefit from members of the media giving us a clearer picture of everything. History tends to repeat itself, and from time to time, freedom of the press has come under assault. That being said, who better in Hollywood than acclaimed director Steven Spielberg could show audiences a time in history where the fourth estate was under fire. Spielberg’s latest movie, The Post, looks at the release of the Pentagon Papers in the early 70s. No question the year’s most timely movie, The Post is a stirring, race-against-the-clock drama that is among the best movies of the year.
2017 certainly has been a down year for animated movies. While there have been a number of animated movies released throughout the year, quantity has far outweighed quality. As such, it’s certainly shown in diminishing box office numbers for almost all the animated movies released this year (minus Despicable Me 3). Luckily however, as far as animated movies are concerned, 2017 is going out on a high note with Coco, the latest offering from Pixar Studios. After three straight lower caliber movies (The Good Dinosaur, Finding Dory, Cars 3) from the well-respected animation studio, Coco is more of what we’ve come to expect from Pixar over the years. Thanks to the movie’s uniquely told story, respect to culture, beautiful animation, and catchy, original music, Coco is another noteworthy winner from Pixar.
The road to Justice League, which brings together some of DC Comics’ most iconic superheroes, has not been without its share of debate or controversy. Up until this summer’s crowd-pleasing Wonder Woman, the three previous entries in the DC Extended Universe (which include Man of Steel, Batman v Superman: Dawn of Justice, and Suicide Squad) were hotly debated amongst both fans and critics for their movie’s storytelling decisions and character developments that showed DC Comics’ characters in different lights. While each of them was a box office success, it was apparent that it wasn’t enough to win over audiences. Fast forward to today and Justice League is viewed as a course correction for Warner Brothers’ DCEU going forward. While Justice League certainly has its issues and isn’t exactly coherent at times, each of the movie’s superhero characters are more than satisfying and help make the superhero team up an enjoyable action romp.
With comedy sequels, the cast is usually bigger, and the gag jokes try to go even further; and, of course, Daddy’s Home 2 accomplishes both of those things, but with bad results. Personally, I enjoyed Daddy’s Home. It wasn’t the best comedy, but it was certainly one of Will Ferrell’s funniest movies in recent years. And when I heard that Mel Gibson and John Lithgow joined the cast for Daddy’s Home 2, my anticipation went from nonexistent to moderately excited. However, Daddy’s Home 2 is another swing and miss from Ferrell (and Mark Wahlberg to a slight extent), whose spiraling downward trend of bad comedies is on the same trajectory as Adam Sandler’s (yeah, I went there).
If you ask anyone (like me) who has seen the previous 16 movies in the Marvel Cinematic Universe (MCU), a good number of them will tell you that both Thor movies are among their least favorite. It’s not to say they’re bad, but they’re easily forgettable compared to the other superhero outings we’ve seen from the MCU. But finally, the god of thunder gets his justice with Thor: Ragnarok, a memorable, rickrolling good time that emphasizes the word “comic” for comic book movies. Easily surpassing the previous two Thor outings, Ragnarok’s intrepid attitude and overzealous moments make it not only the best Marvel Studios release of the year, but also arguably the funniest Marvel Studios movie to date. With the latest Thor sure to Ragnarok you like a hurricane, strap yourselves in for a fun time at the theaters this weekend.
As evidenced by The Hurt Locker and Zero Dark Thirty, director Kathryn Bigelow is no stranger to tense movies. While Detroit is another rigid movie from the Oscar-winning director, this depiction of the racially-charged events that transpired in Motown 50 years ago is her most unsettling movie yet. First and foremost, you should know this movie is not an easy watch; while this movie is meant to start discussions, there is no happy ending here. If you see Detroit, you’re likely to leave the movie angry. Even though Bigelow does not hold back when it comes to telling this story, it is also jagged and in need of editing. If you were to cut 40 minutes from Detroit, you would have yourself a harrowing American classic; I would even say it would be a front-runner for Best Picture at next year’s Oscars. But that’s not the case here. Despite Detroit’s issues, it’s still a captivating movie with a gut-wrenching story worth your attention. Read more
In one scene plastered all over the marketing for Wonder Woman, we see the female heroine step onto the battlefield, alone, to try and take out the German forces. This action-packed scene and what follows immediately after it combine to deliver not only one of the best action sequences in a superhero movie of all-time, but it is also a testament to just how crowd-pleasing the movie is as a whole. Wonder Woman is a bold, confident movie with as much heart as it has soul. Wonder Woman is not only a groundbreaking achievement, but also a movie that inspires much-needed hope in dark times like this. And given how crazy things are around the world, Wonder Woman is exactly the type of hero we need right now.
Three years after coming out of left field and becoming everyone’s favorite group of superheroes overnight, the A-holes of the Marvel Cinematic Universe (MCU) are back in Guardians of the Galaxy Vol. 2. The first entries in these superhero outings from Marvel Studios are usually “fairly good.” But that was not the case with 2014’s Guardians of the Galaxy, which is arguably one of the very best movies to date in the MCU. So, going into Vol. 2, the expectations are fairly high. Vol. 2 hits all the right notes as a sequel; it’s bigger in every aspect – from scope to characters and action. Bigger can be better in many cases, but Vol. 2’s plot keeps those bigger things rather slender and rangy at times. But still, director James Gunn’s usage of these characters we’ve all come to know and love help propel this robust, entertaining sequel.
If you grew up in the 90s like I did, then you were either a fan of the Power Rangers or were aware of their towering existence in both television and merchandise. Even though the Power Rangers have been on television since 1993, the Power Rangers are back on the big screen for the first time since 1997. In this big budget reboot, Power Rangers focuses on the story of the original Power Rangers television series characters from Mighty Morphin Power Rangers (who also graced us with the classic 1995 movie). When Power Rangers hones in on its moments that bring out nostalgia, it’s a blast. And if you grew up watching this superhero team fight and make “whoosh” noises, you’ll appreciate the subtle nods that bring out undeniable glee. Read more