If you’ve seen a preview for Stillwater, then you’ve certainly noticed (and possibly were taken aback by) Matt Damon sporting a goatee. Then you may find out by watching the preview (or doing a Google search) that the title of the movie comes from the name of a town in Oklahoma. So, things might be starting to add up in your head about what type of guy Damon is playing, right? At least for me, I was immediately interested in the A-list actor’s role in this Tom McCarthy project. And if you read the plot description, the movie certainly sounds like a riff on the Taken franchise. (And Matt Damon recently discussed this on a podcast hosted by Marc Maron.) However, there is much more underneath the surface of Stillwater, and the result is a mostly character-driven drama that exceeds expectations.
Nicolas Cage, for all his up-and-down performances over the years, is still one of the most prolific actors in the business today. Sure, he’s had more duds than you might think and churns those out quite often, even as recently as earlier this year with Willy’s Wonderland. But then you take a look at his other movies, especially in the past couple of years, like Color Out of Space and Mandy, and they are great. Anytime Cage has a new movie, for all intents and purposes, it always grabs you. And so when a movie called Pig starring an actor like him arrives, it certainly will get your attention. However, Pig is not what you’re expecting. And that’s more than fine, thanks to Cage’s performance and the film’s subject material we see play out over its 90-minute runtime. Read more
Most would say that Natasha Romanoff was long overdue for her solo movie. Better late than never, right Marvel Studios? Either way, Black Widow officially hits theaters next week and many have wondered how it would stack up against other films in the MCU. Sure, there is a lot to unpack. But overall, Black Widow is a fun movie that’s a solid addition to the Marvel Cinematic Universe (MCU). Read more
A compelling horror movie is hard to come by in this day and age. Cheap jump scares and a lackluster script with thin characters is what you mostly see in theaters these days when it comes to horror. The Conjuring Universe has provided us with the opposite of that in some cases, and in others they fall right into that category. The universe, as a whole, is a bit of a roller coaster, but there’s lot to like overall. Let’s take a look at the rankings.Read more
Aliens are real maybe probably and people are starting to see other human being again! But let’s get to what REALLY matters: 2021 has been so jampacked with tasty entertainment that I couldn’t help but tell all my special friends on the internet about brilliant movies like Psycho Goreman and groundbreaking new TV shows like Invincible. Read more
I’ll never forget the day I was supposed to see A Quiet Place Part II at a press screening in March of last year, as it was also the same day everything in the country shutdown due to the pandemic that slowly grew. The pushing back of Part II to an unknown date began the bumming of other things getting inevitably delayed or cancelled altogether for movies in general. It was a sad time for millions of moviegoers and one that stretched much longer than anyone ever imagined it would. However, things now are returning to normal, slowly, thanks to the flattening of the curve and millions of people getting the vaccine. And the first sign of an actual return to normalcy of sorts at the movies was this being the first press screening I have attended in over 14 months. It made me smile, yes, and I also was excited to finally see the sequel to a movie that’s among one of my favorites from the past few years. Thankfully, Part II is a worthy sequel that’s more than just another horror movie labeled as a cash-grab hot off the heels of its predecessor that was universally praised and a smashing success at the box office. While it doesn’t reach the crescendo of its predecessor, Part II is still very much an enjoyable moviegoing experience that demands your time in a theater. Read more
Even without the title of this review, I probably don’t have to spew more than a few words into this piece before you, the reader, will know that The Mitchells vs.The Machines is another good animated movie from Phil Lord and Christopher Miller. I mean, seriously. Anytime Lord and Miller have explored animated movies, they’ve struck gold. Cloudy with a Chance of Meatballs, The LEGO Movie, and Spider-Man: Into the Spider-Verse—all three of these are delightful in their own ways and are arguably some of the best animated movies from the past 15 years, so I had little fear their new feature debuting on Netflix tomorrow would disappoint. It didn’t and the results deliver an intelligent, often hilarious, animated movie that is both relevant and telling when it comes to how most people have become more than dependent on technology these days.
From Masaaki Yuasa’s gonzo Devilman Crybaby and the fighting anime Kengan Ashura to a CGI continuation of Ghost In The Shell: Stand Alone Complex and LeSean Thomas’s original Cannon Busters, Netflix’s anime catalog is full of standout originals and manga adaptations with something to satisfy every anime aficionado, whether one likes robots, shamans or samurai warriors. LeSean Thomas’ latest anime, Yasuke, combines all that and more, as it is a series loosely based on an actual figure: Yasuke is historically recorded as the first African samurai warrior, serving under the feudal lord Nobunaga Oda in 16th century Japan. Read more
If there’s one area that Netflix has shifted a bit of its focus to for original content in recent years, it’s the animation department. While some of their animated shows have been great, none of their animated movies has been knock-out-of-the-park material or memorable (if memory serves right) for this critic. And while I liked Netflix’s Over the Moon, released last year (and is now nominated for Best Animated Film at the upcoming Oscars), I wasn’t over the moon (insert chuckle here) about it. However, Netflix has a gem with Arlo the Alligator Boy, which drops on Netflix tomorrow. This sweet, wonderful 2D animated tale is a must-see for families and animated film lovers alike. Filled with great original songs and a message that should resonate with all, Arlo the Alligator Boy is an animated musical we’ll be talking about for the rest of the year.
It’s hard not to wonder what will happen to any of the kids who star in Stranger Things, Netflix’s most popular original show of all-time, once the series concludes. We already know that Millie Bobby Brown is on her way there, having starred in some higher profile movies since audiences got to know her as Eleven. And while I don’t doubt that she might go on to have a successful film career, I do think Caleb McLaughlin is starting to make a case for how good an actor he could be in the future with Netflix’s Concrete Cowboy. Nowhere is the boy wonder charm we see him as Lucas in Stranger Things. With Concrete Cowboy, comes a mature McLaughlin, who helps steer things in this mostly engaging drama about urban cowboys in Philadelphia. Read more
The path to the epic showdown between Godzilla and Kong in this MonsterVerse has not exactly been the smoothest road. All three movies leading up to this point have dealt with issues within the asphalt of said road. Godzilla didn’t show enough of everyone’s favorite lizard, Kong: Skull Island was not seen in the same light as Peter Jackson’s take on the giant ape (though I beg to differ), and Godzilla: King of the Monsters showed too much fighting in the dark, making it difficult to see exactly what was happening. Let’s also not forget that all three of these movies to varying degrees had human character problems due to script issues. And coming into Godzilla vs. Kong, I had some reservations considering how disappointed I was with King of the Monsters and how this film was being directed by someone who has made two of the worst movies I’ve seen in the past five years (one of which you can read about here). However, despite all this, Godzilla vs. Kong shows us what we’ve all been waiting for leading up to this film. While the human character issues remain a problem, when the two titans collide, it’s shown in such grand fashion that it causes pure excitement, and that alone is worth the price of admission rather than merely watching it from the comfort of your home.
I’ll be honest: faith-based movies usually fall at the bottom of the totem pole or desire for me to watch. It’s only because these faith-based movies are typically low on production values coupled with very, very bad acting. And I get it: most faith-based movies rely on low budgets to be successful (like most horror movies) these days. But they’re never my cup of tea. However, Netflix has invested seemingly more money in A Week Away than any faith-based movie I can recall in some time. The results? Well, story-wise, it’s predictable with a High School Musical spinoff vibe where religion plays a role. However, some of the musical numbers shown are entertaining and show how talented some of the young cast members are, which bodes well for their futures.
If you’ve seen a trailer for Nobody, I’m sure you’ve already thought, “This looks just like John Wick.” And you would be right, to an extent, and you’ll likely see the comparisons in other reviews of the movie. Sure, there are a handful of John Wick-esque action sequences and plenty of mystery unfolds regarding just who the main character is in this action flick. But make no mistake: the two action entries, this being just one (for now), and the John Wick franchise are still completely different animals in their own respects. Where the John Wick franchise is all about a man who turned out to be part of a group of skilled assassins, Nobody feels isolated to just one man with some sort of violent past (at least in this entry). And isolated is exactly what the doctor ordered thanks to Bob Odenkirk, who needs no assistance star-wise when it comes to delivering brute force and making Nobody an enjoyable thrill ride up until the credits roll.
In today’s age of television, there are so many options available to choose from on several streaming services and network channels. And when a new television show makes its debut, I have to decide whether I’m going to add it to the ever-growing catalogue of my entertainment menu. For me, at least, with television, since there is so much to choose from, the first episode of any television show must hook me right away to keep me invested. I get that some shows have this thing where, they seem to be saying, “Just watch a few episodes and then it really gets going.” However, with so much to see in so little time, I have to be reeled in by the time the credits roll at the end of the first episode. And not only did the first episode of Amazon’s Invincible meet this criteria, I had to watch the other two episodes I received immediately afterwards. After watching the first three episodes of Invincible, I think it’s already 2021’s best new television show of the year (so far).