One could make the argument that Blumhouse is the hottest production company in Hollywood these days. Coming closely on the heels of three huge hits including Split, Get Out, and Happy Death Day, Blumhouse certainly has struck chord with audiences seeking mayhem and horror over the last year. And later this year, they plan to release a sequel to Halloween, which is one of the most beloved horror franchises of all time. All of that being said, however, production companies are not perfect and are expected to have blunders: Case in point with Truth or Dare, the latest horror movie from Blumhouse. Unfortunately, Truth or Dare is one of the company’s most forgettable titles to date and fumbles a great concept, and the result in a silly, PG-13 rated melodrama horror audiences are likely to forget within hours of seeing it.
I have not liked an M. Night Shyamalan movie since The Village and that came out 13 years ago. Since then, Shyamalan has made a string of awful, degrading movies. His most recent movie, The Visit, had an interesting concept (like all of his movies), but nothing stuck in the overall scheme of things. And I never made it past 15 minutes into some of his other recent movies (Devil, After Earth), because I knew I was in for another headache. Shyamalan has been in my dog house for a while now, but when the previews for Split first appeared, I was initially curious. Was Shyamalan onto something? Was he finally back? As it turns out, absolutely yes, is the answer to both of these questions. Split is an expertly-crafted psychological horror movie and a return to form for Shyamalan, whose twistingly-good storytelling was sorely missed.