Wow, people sure are talking about Us, Jordan Peele’s latest film. Apparently it’s crazier than Get Out or maybe it’s less crazy than Get Out, but one thing seems to be certain – if you liked Get Out, you’ll LOVE Us. Well what about those of us who didn’t see Get Out? There must be dozens of us, after all. How do you describe this Jordan Peele’s 2019 movie without referring to his one in 2017? I’ll give it a shot – Us is my first exposure to this writer/director/producer. Read more
Director Jordan Peele took the world by storm with his directorial debut, Get Out, back in 2017. The picture amassed over $255 million dollars at the box office on a $4-million dollar budget, generated social commentary, and later nabbed Peele his first-ever Oscar for Best Original Screenplay. Ever since then, moviegoers and entertainment writers alike wondered what Peele would tell audiences next. Surprisingly, Peele returned to the horror genre with another original idea, Us. With the bar being set very high thanks to his previous movie, the expectations for Us were somewhat unprecedented. But thanks to confident direction and another knockout script that presents new ideas, horrors, humor, and great character development, Peele has struck gold once again. Us is the year’s first memorable movie; it’s a horror movie that will require multiple viewings to appreciate its brilliance in showing us new horrors that won’t soon leave the minds of those that step into Peele’s new story.
A movie not knowing its identity is very frustrating. Get Out is a perfect example of being funny when it shouldn’t be. Having some light comedy or even a moderate amount in a horror/thriller film is perfectly fine. But when a movie is doesn’t balance it well, it makes it very difficult to be scared when you’re supposed to be and fear for the safety of the main characters. I was really wanting to like Get Out. Unfortunately, it had a lot of issues. Read more
Jordan Peele, of the power house comedy duo Key and Peele, is definitely onto something with his craft. The best material has a kernel of truth rooted somewhere in it. With comedy, truth can illicit genuine laughter from audiences who are able to relate. Drama becomes more grounded when it provides some sort of commentary on our reality. Key and Peele has been such a success because of it’s comedic take on race issues and black stereotypes. With Jordan Peele’s directorial debut Get Out, he tackles similar issues using the psychological thriller genre as his conduit. Read more