Director Jordan Peele took the world by storm with his directorial debut, Get Out, back in 2017. The picture amassed over $255 million dollars at the box office on a $4-million dollar budget, generated social commentary, and later nabbed Peele his first-ever Oscar for Best Original Screenplay. Ever since then, moviegoers and entertainment writers alike wondered what Peele would tell audiences next. Surprisingly, Peele returned to the horror genre with another original idea, Us. With the bar being set very high thanks to his previous movie, the expectations for Us were somewhat unprecedented. But thanks to confident direction and another knockout script that presents new ideas, horrors, humor, and great character development, Peele has struck gold once again. Us is the year’s first memorable movie; it’s a horror movie that will require multiple viewings to appreciate its brilliance in showing us new horrors that won’t soon leave the minds of those that step into Peele’s new story.
One could make the argument that Blumhouse is the hottest production company in Hollywood these days. Coming closely on the heels of three huge hits including Split, Get Out, and Happy Death Day, Blumhouse certainly has struck chord with audiences seeking mayhem and horror over the last year. And later this year, they plan to release a sequel to Halloween, which is one of the most beloved horror franchises of all time. All of that being said, however, production companies are not perfect and are expected to have blunders: Case in point with Truth or Dare, the latest horror movie from Blumhouse. Unfortunately, Truth or Dare is one of the company’s most forgettable titles to date and fumbles a great concept, and the result in a silly, PG-13 rated melodrama horror audiences are likely to forget within hours of seeing it.
The 2018 Academy Awards took place on March 4, 2018 at the Dolby Theatre in Hollywood, hosted by Jimmy Kimmel. Check out the full list of winners including The Shape of Water, Three Billboards, Dunkirk, Get Out, Blade Runner 2049 and more! Read more
If you’re reading this, then you’ve probably read enough opening paragraphs for “Best Movies of 2017” lists explaining how great a year it was for cinema, and yes, all those articles/lists/whatever are correct. In a year filled with tribulation around the globe, going to the cinema not only felt like the perfect escape, but 2017 was also just a great year in general for movies. From blockbusters to indie standouts, we laughed, we cried, we cheered, and we were wowed from January to December. Creating this list was difficult because, honestly, there was something I saw each month that would have made my top 10 list for any other year; that itself speaks to just how good a year it was for going to the cinema. But another year has come and gone, and it’s time to look back and remember the best of the best that Hollywood gave us in 2017.
A movie not knowing its identity is very frustrating. Get Out is a perfect example of being funny when it shouldn’t be. Having some light comedy or even a moderate amount in a horror/thriller film is perfectly fine. But when a movie is doesn’t balance it well, it makes it very difficult to be scared when you’re supposed to be and fear for the safety of the main characters. I was really wanting to like Get Out. Unfortunately, it had a lot of issues. Read more
Jordan Peele, of the power house comedy duo Key and Peele, is definitely onto something with his craft. The best material has a kernel of truth rooted somewhere in it. With comedy, truth can illicit genuine laughter from audiences who are able to relate. Drama becomes more grounded when it provides some sort of commentary on our reality. Key and Peele has been such a success because of it’s comedic take on race issues and black stereotypes. With Jordan Peele’s directorial debut Get Out, he tackles similar issues using the psychological thriller genre as his conduit. Read more