One could make the argument that Blumhouse is the hottest production company in Hollywood these days. Coming closely on the heels of three huge hits including Split, Get Out, and Happy Death Day, Blumhouse certainly has struck chord with audiences seeking mayhem and horror over the last year. And later this year, they plan to release a sequel to Halloween, which is one of the most beloved horror franchises of all time. All of that being said, however, production companies are not perfect and are expected to have blunders: Case in point with Truth or Dare, the latest horror movie from Blumhouse. Unfortunately, Truth or Dare is one of the company’s most forgettable titles to date and fumbles a great concept, and the result in a silly, PG-13 rated melodrama horror audiences are likely to forget within hours of seeing it.
No one in Hollywood has crafted more memorable blockbusters than Steven Spielberg, the most famous director the world has ever seen. And while Spielberg has strayed from the familiar path in recent years and focused more so on dramas, Ready Player One is right in his wheelhouse. Ready Player One’s storytelling and character development do not reach levels high enough for those looking for some kind of depth in this 140-minute virtual reality journey. But when it comes to the movie’s action sequences and visual effects, Spielberg delivers to the max in spectacular fashion, which should please both regular movie goers and fans of 80s pop culture familiar with characters from movies, television, and video games over the years. Of course, Ready Player One plays out just like a video game, but that’s what makes it such an entertaining blockbuster and more of what we have come to love about Spielberg in years past; he transports audiences to new, exciting worlds we’d love to be part of. And with this ridiculous, filled-to-the-brim nostalgic blast, he’s done it again.
When you buy a ticket for The Commuter, you know exactly what you’re paying for. You’re paying not just for an action movie, but a Liam Neeson action movie. You’re paying for a movie released during one of the slowest months of the year during one of the coldest months of the year. Yes, you’ve probably seen half a dozen iterations of The Commuter before, but with different settings, scenarios, and action sequences. That being said, the B-action movie is a quintessential genre for certain movie goers, and The Commuter easily fits into that niche for that particular audience. Sure, you might forget about The Commuter two months from now, but it’s still a fun time to be had if you’re looking for something new at the theater and something that’s not an awards contender (which is when a number of awards-contending movies start rolling out nationwide).
If you’re reading this, then you’ve probably read enough opening paragraphs for “Best Movies of 2017” lists explaining how great a year it was for cinema, and yes, all those articles/lists/whatever are correct. In a year filled with tribulation around the globe, going to the cinema not only felt like the perfect escape, but 2017 was also just a great year in general for movies. From blockbusters to indie standouts, we laughed, we cried, we cheered, and we were wowed from January to December. Creating this list was difficult because, honestly, there was something I saw each month that would have made my top 10 list for any other year; that itself speaks to just how good a year it was for going to the cinema. But another year has come and gone, and it’s time to look back and remember the best of the best that Hollywood gave us in 2017.
After seeing Star Wars: The Last Jedi, I’m not surprised Lucasfilm is giving director Rian Johnson the keys to a new Star Wars trilogy after Episode XI; in fact, Rian Johnson’s now further involvement has me actually excited for the next Star Wars trilogy (and I’m not even a Star Wars fan). While The Last Jedi is a Star Wars movie, it also at times feels unlike any other Star Wars movie you’ve seen before. With that said, however, The Last Jedi is still a Star Wars movie through and through, and is filled with crowd-pleasing moments that should delight fans of the franchise. From the story and its gratifying twists and turns, to character developments for both new and old characters in the saga, to the movie’s dazzling action and visual effects, The Last Jedi is everything you could hope for in a grade-A blockbuster, and is easily one of the absolute best Star Wars movies in the franchise.
Heroes come from all sorts of places and some of them come from the field of journalism, where reporters and various employees at media outlets seek to bring the truth to light and give their audiences the information they need. And given the current state of the country, we could certainly benefit from members of the media giving us a clearer picture of everything. History tends to repeat itself, and from time to time, freedom of the press has come under assault. That being said, who better in Hollywood than acclaimed director Steven Spielberg could show audiences a time in history where the fourth estate was under fire. Spielberg’s latest movie, The Post, looks at the release of the Pentagon Papers in the early 70s. No question the year’s most timely movie, The Post is a stirring, race-against-the-clock drama that is among the best movies of the year.
2017 certainly has been a down year for animated movies. While there have been a number of animated movies released throughout the year, quantity has far outweighed quality. As such, it’s certainly shown in diminishing box office numbers for almost all the animated movies released this year (minus Despicable Me 3). Luckily however, as far as animated movies are concerned, 2017 is going out on a high note with Coco, the latest offering from Pixar Studios. After three straight lower caliber movies (The Good Dinosaur, Finding Dory, Cars 3) from the well-respected animation studio, Coco is more of what we’ve come to expect from Pixar over the years. Thanks to the movie’s uniquely told story, respect to culture, beautiful animation, and catchy, original music, Coco is another noteworthy winner from Pixar.
The road to Justice League, which brings together some of DC Comics’ most iconic superheroes, has not been without its share of debate or controversy. Up until this summer’s crowd-pleasing Wonder Woman, the three previous entries in the DC Extended Universe (which include Man of Steel, Batman v Superman: Dawn of Justice, and Suicide Squad) were hotly debated amongst both fans and critics for their movie’s storytelling decisions and character developments that showed DC Comics’ characters in different lights. While each of them was a box office success, it was apparent that it wasn’t enough to win over audiences. Fast forward to today and Justice League is viewed as a course correction for Warner Brothers’ DCEU going forward. While Justice League certainly has its issues and isn’t exactly coherent at times, each of the movie’s superhero characters are more than satisfying and help make the superhero team up an enjoyable action romp.
With comedy sequels, the cast is usually bigger, and the gag jokes try to go even further; and, of course, Daddy’s Home 2 accomplishes both of those things, but with bad results. Personally, I enjoyed Daddy’s Home. It wasn’t the best comedy, but it was certainly one of Will Ferrell’s funniest movies in recent years. And when I heard that Mel Gibson and John Lithgow joined the cast for Daddy’s Home 2, my anticipation went from nonexistent to moderately excited. However, Daddy’s Home 2 is another swing and miss from Ferrell (and Mark Wahlberg to a slight extent), whose spiraling downward trend of bad comedies is on the same trajectory as Adam Sandler’s (yeah, I went there).
If you ask anyone (like me) who has seen the previous 16 movies in the Marvel Cinematic Universe (MCU), a good number of them will tell you that both Thor movies are among their least favorite. It’s not to say they’re bad, but they’re easily forgettable compared to the other superhero outings we’ve seen from the MCU. But finally, the god of thunder gets his justice with Thor: Ragnarok, a memorable, rickrolling good time that emphasizes the word “comic” for comic book movies. Easily surpassing the previous two Thor outings, Ragnarok’s intrepid attitude and overzealous moments make it not only the best Marvel Studios release of the year, but also arguably the funniest Marvel Studios movie to date. With the latest Thor sure to Ragnarok you like a hurricane, strap yourselves in for a fun time at the theaters this weekend.
When I walked into the theater to see Blade Runner 2049 on Monday, I had no idea what to expect. What was the movie actually about? Why is there a sequel to a movie that bombed at the box office and was later deemed a misinterpreted cult classic? As somebody who finds the original 1982 Blade Runner to be highly overrated, I write this review surprised by two things: first, that a sequel to a movie, viewed by many as a misinterpreted, neo-noir sci-fi classic, would be made 35 years later; secondly, (and more surprisingly) that this sequel, Blade Runner 2049, is not only leaps and bounds better than the original, but is also one of the best movies I’ve seen in recent years. Thanks to the movie’s mysterious story, memorable characters, gorgeous visuals, and unparalleled direction from Denis Villeneuve, Blade Runner 2049 is an instant sci-fi classic and one which will be talked about for years to come. Read more
In recent years, the latest horror franchise to conjure up globs of money from audiences has been the Conjuring Universe (the name Warner Brothers gave this horror franchise). While the first Conjuring movie, The Conjuring, reshaped the modern-day horror genre, its spin-off, Annabelle, was very underwhelming; in fact, I was so bored that I never finished watching it. But last year, the Conjuring Universe returned to its roots with The Conjuring 2, which was a formidable sequel to the original Conjuring. Up until this week, I wasn’t so sure audiences needed another horror franchise to follow due to what we have seen in years past with horror franchises and their lackluster sequels. But before seeing Annabelle: Creation, which is set before anything that happens in the three previous Conjuring movies, I can’t believe I would ever say this: if Warner Brothers and can keep making horror follow-ups as horrifyingly pleasing as Annabelle: Creation, count me in for this Conjuring Universe. Read more
As evidenced by The Hurt Locker and Zero Dark Thirty, director Kathryn Bigelow is no stranger to tense movies. While Detroit is another rigid movie from the Oscar-winning director, this depiction of the racially-charged events that transpired in Motown 50 years ago is her most unsettling movie yet. First and foremost, you should know this movie is not an easy watch; while this movie is meant to start discussions, there is no happy ending here. If you see Detroit, you’re likely to leave the movie angry. Even though Bigelow does not hold back when it comes to telling this story, it is also jagged and in need of editing. If you were to cut 40 minutes from Detroit, you would have yourself a harrowing American classic; I would even say it would be a front-runner for Best Picture at next year’s Oscars. But that’s not the case here. Despite Detroit’s issues, it’s still a captivating movie with a gut-wrenching story worth your attention. Read more
Castlevania premiered on Netflix over the weekend. Categorised as an animated show, the first season consists of four episodes with each one lasting no longer than 25 minutes. Due to the short length of the first season along with my shared interest with Fox Force Five News’ Editor in Chief, Keven Skinner, we have each reviewed Castlevania from our own perspectives, and consolidated our reviews into one overall rating of the show.